Fifteen years shaping how brands show up in the world: from enterprise strategy to the campaign, the deck, the wrap, and the trade show floor. Whether building creative functions from the ground up or scaling high-stakes collateral under tight deadlines, I bridge the gap between big ideas and flawless execution. I show up with my sleeves rolled up, and I finish what I start.
Dana Constance
Every piece below shipped for a real client or employer. Click any tile for a closer look.
Wireframe through fabrication: a full infographic exhibit wall mapping a major facility master plan for public-facing tours.
Truck wraps, a full-page newspaper ad, trade-show signage, and a vineyard leave-behind postcard for a sustainability brand built from scratch, still running 12+ years later.
Two simultaneous government RFP responses, $1B+ in municipal franchise contracts. Oakland ranked #1 by staff. Won in court.
Proposal for the City of Santa Monica 4th Street Parking Structure — cover made from recovered cardboard and discarded blueprints, 100% recycled paper throughout. IPD won.
Enterprise proposal and conference decks built to two different client brand standards, turned around on tight deadlines.
A recruitment email built around real case photography and a client's maroon-and-gold brand. Coded, not just designed.
Identity, palette, and design system for a real estate investment platform, built from zero as founding creative director and carried through to a live site and investor materials.
One of 51 client-facing documents rebuilt from Collaborative Solutions to Cognizant in 12 months: same content, new brand system.
Wrote, storyboarded, and produced a horror-tinged donor PSA that screened in 8 South Bay theaters.
Backdrop panels and station signage for a rock-themed conference booth, specced to fabrication and proofed on-site.
Multi-panel motion ad for a life-sciences lab program: animation built in After Effects, exported and format-optimized for the LinkedIn feed in Canva.
A speculative brand type system: a 12-step modular scale, a five-color palette, and pairing rules documented well enough for someone else to pick up and run with.
A speculative literary review layout, a Borges short story set with a 560px body column, a left rail of type notes, and a right rail of production notes, built to see how much apparatus one page can carry.
A personal photograph shot at the Guadalupe Mines Landfill in San Jose — later selected as the centerfold image for a 2012 "Wildlife of American Landfills" calendar.
Speculative pitch, brand-guidelines, and keynote decks, each built to a different brand system, to show range in deck design beyond the proposal work above.
Fifteen years, three industries, one job description that never changed. I've led brand and creative operations at a proptech startup, driven brand and experiential design for Cognizant's Workday practice, and managed marketing and design at Stanford Blood Center. The title moved. The work didn't: partner with a marketing team, shape the system if it's still taking form, and produce what makes it real.
I've built proposal binders by hand, coded HTML emails, spec'd trade-show signage to fabrication tolerances, and turned two enterprise decks around in the same week. I don't just execute the brief. I read the room it's going into (a boardroom, a conference floor, an inbox) and design for what that room actually notices first.
I'm fluent in the full Adobe Creative Cloud stack, comfortable in Figma, PowerPoint, and the rest of Microsoft Office, and I use AI daily as a research assistant and first-draft generator. It has no taste. That part's still on me.
Based in Alameda, CA. Open to remote, hybrid, and Bay Area in-house or agency graphic design roles.