Fifteen years shaping how brands show up in the world: from enterprise strategy to the campaign, the deck, the wrap, and the trade show floor. Whether building creative functions from the ground up or scaling high-stakes collateral under tight deadlines, I bridge the gap between big ideas and flawless execution. I show up with my sleeves rolled up, and I finish what I start.
Dana Constance
Every piece below shipped for a real client or employer. Click any tile for a closer look.
Wireframe through fabrication: a full infographic exhibit wall mapping a major facility master plan for public-facing tours.
Truck wraps, a full-page newspaper ad, trade-show signage, and a vineyard leave-behind postcard for a sustainability brand built from scratch, still running 12+ years later.
A tabbed, photography-driven proposal for the City of Oakland's Zero Waste Services contract: layout, art direction, and photo direction across a 100+ page binder.
Enterprise proposal and conference decks built to two different client brand standards, turned around on tight deadlines.
A recruitment email built around real case photography and a client's maroon-and-gold brand. Coded, not just designed.
Logo, color palette, and typography spec sheet for a healthcare cooperative's brand, built from a blank page.
One of 51 client-facing documents rebuilt from Collaborative Solutions to Cognizant in 12 months: same content, new brand system.
Wrote, storyboarded, and produced a horror-tinged donor PSA that screened in 8 South Bay theaters.
Backdrop panels and station signage for a rock-themed conference booth, specced to fabrication and proofed on-site.
A speculative brand type system: a 12-step modular scale, a five-color palette, and pairing rules documented well enough for someone else to pick up and run with.
A speculative specimen for a grotesque typeface: full weight range, scale, figures, and character set, built as a living reference instead of a static PDF.
A speculative literary review layout, a Borges short story set with a 560px body column, a left rail of type notes, and a right rail of production notes, built to see how much apparatus one page can carry.
Fifteen years, three industries, one job description that never changed. I've led brand and creative operations at a proptech startup, driven brand and experiential design for Cognizant's Workday practice, and managed marketing and design at Stanford Blood Center. The title moved. The work didn't: partner with a marketing team, shape the system if it's still taking form, and produce what makes it real.
I've built proposal binders by hand, coded HTML emails, spec'd trade-show signage to fabrication tolerances, and turned two enterprise decks around in the same week. I don't just execute the brief. I read the room it's going into (a boardroom, a conference floor, an inbox) and design for what that room actually notices first.
I'm fluent in the full Adobe Creative Cloud stack, comfortable in Figma, PowerPoint, and the rest of Microsoft Office, and I use AI daily as a research assistant and first-draft generator. It has no taste. That part's still on me.
Based in Alameda, CA. Open to remote, hybrid, and Bay Area in-house or agency graphic design roles.